ENIM 2013 - Call for Papers
III ENCONTRO NACIONAL DE INVESTIGAÇÃO EM MÚSICA/
III NATIONAL CONFERENCE OF MUSIC RESEARCH
Org.: SPIM-SOCIEDADE PORTUGUESA DE INVESTIGAÇÃO EM MÚSICA
BEJA (PORTUGAL) | 1-3 NOVEMBRO / NOVEMBER 2013
CALL FOR PAPERS
The Third National Conference of Music Research (ENIM 2013) is to take place in Beja (Portugal), in collaboration with the Departamento do Património Histórico e Artístico da Diocese de Beja, from Friday, 1 to Sunday, November 3 2013.
Researchers from all over the world are invited to submit proposals for papers in Portuguese, Spanish, French, Italian or English. Proposals for panel sessions featuring three or four papers (maximum) in a shared field of interest are also encouraged. All topics relevant to the field of music research will be considered.
In addition to an abstract (ca. 300 words), please send a short biographical note (ca. 150 words), and indicate audio-visual requirements. For panels, please include the title of the session, the organizer's name, plus a 300-word proposal outlining the topic of the panel, followed by abstracts of the individual papers (ca. 300 words for each).
Individual papers should not exceed 20 minutes in duration, to be followed by 10 minutes’ discussion.
No more than one proposal per candidate is permitted (including both individual papers and panels).
Please send your proposals to the following email address:
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The deadline for the reception of proposals is Saturday, June 15 2013.
Please provide your full name, institutional affiliation, full mailing address, telephone number and email address.
Acceptance of proposals will be notified personally via email before the end of June 2013.
For further information about the conference, please contact:
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CONVITE À APRESENTAÇÃO DE COMUNICAÇÕES
O III Encontro Nacional de Investigação em Música (ENIM 2013) terá lugar em Beja (Portugal), em colaboração com o Departamento do Património Histórico e Artístico da Diocese de Beja, de Sexta-feira, 1 a Domingo, 3 de Novembro de 2013.
Investigadores de todo o mundo são convidados a submeter propostas de comunicação em português, espanhol, francês, italiano ou inglês. É também promovida a apresentação de painéis reunindo 3 a 4 oradores (no máximo) em torno de um mesmo tema. Todos os temas relevantes no âmbito da investigação em música serão contemplados.
Além de um resumo (ca. 300 palavras), solicita-se o envio de uma breve nota biográfica (ca. 150 palavras) e a indicação do equipamento audiovisual pretendido. No caso dos painéis, solicita-se a indicação do respectivo título e do nome do organizador, além de um resumo relativo ao painel no seu todo (ca. 300 palavras), seguido dos resumos das comunicações individuais.
As comunicações individuais não deverão exceder 20 minutos, seguidos de 10 minutos para discussão. Não será admitida mais de uma proposta por participante (incluindo participações individuais e painéis).
As propostas de comunicação deverão ser enviadas para o seguinte endereço de email: This email address is being protected from spambots. You need JavaScript enabled to view it.
O prazo para a recepção de propostas é Sábado, 15 de Junho de 2013.
Por favor, indique o seu nome completo, afiliação institucional, endereço postal, número de telefone e endereço de email.
A aceitação das propostas será comunicada individualmente por email até ao final de Junho de 2013.
Para mais informações, contactar:
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A Comissão Científica / The Scientific Committee,
Paulo Ferreira de Castro, Paula Gomes Ribeiro, Rui Vieira Nery, Susana Sardo, Manuel Deniz Silva
International Colloquium Instrumental Music in the Iberian World 1760-1820
The present Colloquim seeks to promote new perspectives into the circulation of repertories and musicians within the Iberian Peninsula and its former colonies in the period between 1760 and 1820, as well as the closer articulation of musicological studies with the most recent theoretical approaches of general historiography.
Keynote-speakers will be Prof. Thierry Favier (University of Poitiers), Prof. Rui Vieira Nery (New University of Lisbon – FCSH), Prof. Miguel Angel Marín (University of la Rioja) and Maestro Enrico
Onofri.
The meeting will include the following research topics:
- reception and circulation of instrumental genres between the Iberian Peninsula and its colonies at the end of the 18th century;
- the music market, the commercial networks, the connection between publisher and printers, local repertories vs. international repertories;
- composition and problems of periodization; local compositional traditions and European models; “Viennese” Classicism and “Iberian” Classicisms;
- music interpretation in historical repertories; musical styles and performance pratice; incorporation of local repertories in the mainstream contemporary music scene.
Proposals for papers in English, Portuguese or Spanish may be admitted. Single-topic panels involving joint presentations by three of four authors may also be considered.
Applications should include:
- paper abstract (ca. 300 words);
- author’s institutional affiliation and short vita (ca. 150 words).
Proposals for panel presentations should curricula of all authors involved;
- description of audio-visual equipment required.
Abstracts should be sent to: This email address is being protected from spambots. You need JavaScript enabled to view it.
Deadline for submission of proposals: March 1, 2013
Deadline for notification of acceptance of proposals: March 15, 2013
-Individual paper presentations (max. length: 20 minutes).
-Panel presentations (max. length: 1 hour and 30 minutes).
SCIENTIFIC COMMITTEE
Cristina Fernandes
Miguel Angel Marín
Rui Vieira Nery
Vanda de Sá
INTIME 2012 Symposium - Notations: composer/performer dialogue
Deadline: 5 de Setembro de 2012
In recent decades practice in the notation and performance of new music has continued to innovate and experiment. The nature of notation, its functions and uses as well as performers’ approaches to realisation and interpretation seem as open-ended as ever. In the digital age the dialogue between composer, notation and performer remains vital, and the collaborative process continues to take many forms.
This symposium seeks to discuss and theorise current practice in these areas as well as to deepen our understandings of existing repertoires and traditions within new music, such as experimentalism and minimalism.
El Oído Pensante
Deadline: 30 de Setembro de 2012
El oído pensante convoca a la presentación de artículos para su primer volumen (2013) (ISSN 2250-7116)
Esta publicación electrónica semestral de acceso libre con evaluación de pares tiene como propósito promover la discusión en torno a los dilemas teóricos, meteorológicos y epistemológicos de las investigaciones realizadas sobre diversas manifestaciones musicales.
Se recibirán artículos en español, portugués e inglés hasta el 30 de septiembre de 2012.
Avales: Caicyt-Conicet - Instituto de Ciencias Antropológicas (Facultad de Filosofía y Letras, UBA)
Contacto:
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(Información para los autores en adjunto).
Director y editor: Miguel A. García
Editora asociada: Juliana Guerrero
Producción editorial: Daniel Anabel González
Comité Asesor:
- Beverley Diamond (Research Centre for the Study of Music, Media and Place, Memorial University)
- Rafael José de Menezes Bastos (Departamento de Antropologia, Universidade Federal de Santa Catarina)
- Ana María Ochoa (Music Department, Columbia University)
- Timothy Rice (Herb Alpert School of Music, University of California, Los Angeles)
- Irma Ruiz (Instituto de Ciencias Antropológicas, Universidad de Buenos Aires - Consejo Nacional de Investigaciones y Técnicas)
- Jonathan Sterne (Department of Art History & Communication Studies, McGill University)
- Ulrich Wegner (Institut fur Musik und Musikwissenschaft, Stiftung Universitat Hildessheim)
The Ninth International Symposium on the Philosophy of Music Education
Deadline: 1 de Outubro de 2012
The International Society for the Philosophy of Music Education was founded at the Philosophy of Music Education International Symposium 5 at Lake Forest College, Lake Forest, Illinois, U.S.A., June 4-7, 2003 with Estelle Jorgensen (U.S.A.) and Frede Nielsen (Denmark) as co-chairs. The current chairs are Cathy Benedict (USA) and Panos Kanellopoulos (Greece).
Wagner World Wide: Reflections
Deadline: 31 de Julho de 2012
The Research Institute for Music Theater Studies (Schloss Thurnau), University of Bayreuth, in collaboration with the University of South Carolina (USA) and the University of Bern (Switzerland), is convening an international conference to conclude the www2013: project.
Seminário Questões de Estética
Deadline: Julho de 2012
Apostando num espaço informal onde os interessados nas questões da estética podem ou propor uma sessão e/ ou participar como intervenientes na discussão, a tónica é posta na livre troca de ideias e no diálogo que se quer tão fluído quanto possível, ao ritmo dos argumentos, contradições e descobertas espontâneas.
ENIM 2012 – II Encontro Nacional de Investigação em Música
PRAZO PARA RECEPÇÃO DE PROPOSTAS PRORROGADO ATÉ 15 DE JULHO
O II Encontro Nacional de Investigação em Música (ENIM 2012) terá lugar em Castelo Branco (Portugal), em colaboração com a Escola Superior de Artes Aplicadas, de Sexta-feira, 16 a Domingo, 18 de Novembro de 2012.
Investigadores de todo o mundo são convidados a submeter propostas de comunicação em português, espanhol, francês, italiano ou inglês. É também promovida a apresentação de painéis reunindo 3 a 4 oradores (no máximo) em torno de um mesmo tema. Todos os temas relevantes no âmbito da investigação em música serão contemplados.
XIX Convegno annuale SIdM
Deadline: 15 de Junho de 2012
Il diciannovesimo Convegno Annuale della Società Italiana di Musicologia si svolgerà quest’anno a Milano, in collaborazione con il Conservatorio di musica ‘G.Verdi’, dal 19 al 21 ottobre 2012. Il 20 ottobre alle ore 16 avrà luogo l’assemblea annuale dei soci e l’elezione dei nuovi organi sociali.
Si invitano gli studiosi interessati a presentare proposte di relazione che potranno riguardare qualsiasi argomento di ricerca.
Principles of Music Composing: Links between Music and Visual Arts
Deadline: 10 de Junho de 2012
The purpose of the conference is to contribute towards the development of musicological thought, which could serve to compositional practice and teaching process. Eleven preceding conferences took place in Vilnius (Principles of Music Composing: Theory and Practice 1999; Principles of Music Composing: Between Ethno and Techno 2001; Principles of Music Composing: Continuity and Innovation in Contemporary Music 2002; Principles of Music Composing: Aspects of Historical Spread 2004; Principles of Music Composing: Creative process 2005; Principles of Music Composing: Phenomenon of a Cycle 2006; Principles of Music Composing: Musical Text 2007, Principles of Music Composing: Musical Archetypes 2008; Principles of Music Composing: Orchestra as a Phenomenon 2009, Principles of Music Composing: Sacred Music 2010, Principles of Music Composing: National Romanticism and Contemporary Music 2011).
Conference of the New Zealand Musicological Society
Deadline: 10 de Junho de 2012
This conference seeks to investigate and promote the breaking of new ground within and between our fields of music study: musicology, ethnomusicology, popular music, jazz, music therapy and music education. ‘Voyages of Discovery’ relates here to intellectual travel; the charting of new territory within music disciplines; and interdisciplinary journeys.
International Conference on Music Semiotics in Memory of Raymond Monelle
Deadline: 1 de Junho de 2012
The Department of Music at The University of Edinburgh presents an international conference on Music Semiotics in memory of Professor Raymond Monelle on 26-28 October 2012. The aim of the conference is to promote the work of Professor Raymond Monelle in semiotics through the presentation and discussion of ‘new’ musical ‘topics’ as they emerge in the West European repertoire and in popular music during the last two centuries. The in-depth investigation of musical topoi was one of the main musicological outputs of Professor Monelle, a theory which has emerged in recent decades as a powerful tool for the analysis of musical signification. Topic theory suggests that a musical style which can be defined without the aid of a verbal text or title -that is, by purely musical characteristics- is a true musical topos. Musical topics are considered ‘cultural units’ that express different cultural contexts and reflect the political, social, and religious conditions of each era. They manifest themselves in concert halls, music festivals, practically every location where musical performance and attendance is occurring, and through any modern audiovisual means.
New Perspectives on the Keyboard Works of Antonio Soler - FIMTE 2012: The 11th International Symposium on Spanish Keyboard Music “Diego Fernández”
Deadline: 1 de Junho de 2012
The 11th International Symposium on Spanish Keyboard Music “Diego Fernández” will be held at the Parador of Mojácar, Almería, Andalusia , on the 11 to 12 October 2012, as part of FIMTE 2012 (11-14 October): the 13th International Festival of Spanish Keyboard Music. The festival will feature both mainstream and fringe concerts and a workshop on performance-related issues.
Sound and Performance
Deadline: 15 de Maio de 2012
„Sound and Performance” – This is the title of the 11th Congress of the Gesellschaft für Theaterwissenschaft (German Society for Theatre Studies) which is being held from 4 to 7 October 2012 by the Institute for Music-Theatre Studies (Prof. Ernst, Prof. Mungen) at the University of Bayreuth.
XII Congreso de la SIBE — “Sonidos del presente, propuestas de futuro: investigación, innovación y aprendizaje en las músicas populares urbanas y de tradición oral”
Deadline: 15 de Maio de 2012
El XII Congreso de la Sociedad de Etnomusicología se articula en torno a la reflexión sobre el presente y el futuro de la investigación y la enseñanza/aprendizaje de las músicas populares urbanas y de tradición oral, frente a los retos que nos plantea el incierto momento por el que atraviesan las sociedades contemporáneas hoy.
Las diferentes perspectivas de análisis de las formas en las que la música se inscribe en las culturas contemporáneas aportarán una visión integral del papel que la música juega en las sociedades actuales. El conocimiento de esas nuevas prácticas y discursos relativos a las culturas musicales, propios de la sociedad mediática globalizada, contribuirán a diseñar estrategias de intervención en un tiempo aún por venir.
Massenet and the Mediterranean World – International Conference
Deadline: 15 de Maio de 2012
The Centro Studi Opera Omnia Luigi Boccherini, Lucca, in association with the Palazzetto Bru Zane - Centre de musique romantique française de Venise and the Observatoire interdisciplinaire de création et de recherche en musique de l’Université de Montréal , is pleased to invite submissions of proposals for the International Conference “Massenet and the Mediterranean World,” to be held in Lucca from Friday, 30 November until Sunday, 2 December 2012.
Organized in conjunction with the centenary of the death of Massenet (1842-1912), the conference proposes to highlight various aspects of the composer’s life and works, both within the musical context of fin-de-siècle Europe and from the point of view of the reception of his operas. In the last fifteen years, several elements of Massenet’s oeuvre have received renewed critical attention. This conference intends to focus on the close rapport that Massenet cultivated, at different stages of his career, with the various countries around the Mediterranean basin, both as sources of inspiration for new works and concerning his relations with other composers as well as performers.
"O Gosto pela Música", homenagem a João de Freitas Branco, no 90º aniversário do seu nascimento
Deadline: 30 de Junho de 2012
O Centro de Estudos de Sociologia e Estética Musical (Faculdade de Ciências Sociais e Humanas da Universidade Nova de Lisboa), convida a submissão de propostas de comunicação para o Colóquio Internacional 'O Gosto pela Música', homenagem a João de Freitas Branco, no 90º aniversário do seu nascimento, que terá lugar a 19 e 20 de Outubro de 2012, na Universidade Nova de Lisboa.